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The will they won’t they between Niles and Daphne drove a lot

After living in Tokyo and France, Kusama left Japan at the age of 27 for the United States. She has stated that she began to consider Japanese society “too small, too servile, too feudalistic, and too scornful of women.”[10] In 1957, she moved to Seattle, where she had an exhibition of paintings at the Zoe Dusanne Gallery.[19] She stayed there for a year[20] before moving on to New York City, following correspondence with Georgia O’Keeffe in which she professed an interest in joining the limelight of the city, and sought O’Keeffe’s advice.[21] During her time in the US, she quickly established her reputation as a leader in the avant garde movement and received praise for her work from the anarchist art critic Herbert Read.[22] In 1961 she moved her studio into the same building as Donald Judd and sculptor Eva Hesse; Hesse became a close friend.[23] In the early 1960s Kusama began to cover items such as ladders, shoes and chairs with white phallic protrusions.[24] Despite the micromanaged intricacy of the drawings, she turned them out fast and in bulk, establishing a rhythm of productivity which she still maintains. She established other habits too, like having herself routinely photographed with new work[20] and regularly appearing in public wearing her signature bobbed anime wigs and colorful, avant garde fashions.[9].

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